Freddie mercury musik

British rock musician; frontman of Queen (1946–1991)

Freddie Mercury (born Farrokh Bulsara; 5 September 1946 – 24 November 1991) was a British singer and songwriter who achieved worldwide fame as the lead vocalist and pianist of the rock band Queen. Regarded as one of the greatest singers in the history of rock music, he was known for his flamboyant stage persona and four-octavevocal range. Mercury defied the conventions of a rock frontman with his theatrical style, influencing the artistic direction of Queen.

Born in 1946 in Zanzibar to Parsi-Indian parents, Mercury attended British boarding schools in India from the age of eight and returned to Zanzibar after secondary school. In 1964, his family fled the Zanzibar Revolution, moving to Middlesex, England. Having previously studied and written music, he formed Queen in 1970 with guitarist Brian May and drummer Roger Taylor. Mercury wrote numerous hits for Queen, including "Killer Queen", "Bohemian Rhapsody", "Somebody to Love", "We Are the Champions", "Don't Stop Me Now" and "Crazy Little Thing Called Love". His charismatic stage performances often saw him interact with the audience, as displayed at the 1985 Live Aid concert. He also led a solo career and was a producer and guest musician for other artists.

Mercury was diagnosed with AIDS in 1987. He continued to record with Queen, and was posthumously featured on their final album, Made in Heaven (1995). In 1991, the day after publicly announcing his diagnosis, he died from complications of the disease at the age of 45. In 1992, a concert in tribute to him was held at Wembley Stadium, in benefit of AIDS awareness.

As a member of Queen, Mercury was posthumously inducted into the Rock and Roll Hall of Fame in 2001, the Songwriters Hall of Fame in 2003, and the UK Music Hall of Fame in 2004. In 1990, he and the other Queen members received the Brit Award for Outstanding Contribution to British Music. One year after his death, Mercury received the same award individually. In 2005, Queen were awarded an Ivor Novello Award for Outstanding Song Collection from the British Academy of Songwriters, Composers, and Authors. In 2002, Mercury was voted number 58 in the BBC's poll of the 100 Greatest Britons.

Early life

Zanzibar and India

Mercury was born Farrokh Bulsara in Stone Town in the British protectorate of Zanzibar (now part of Tanzania) on 5 September 1946.^[2][3] His parents, Bomi and Jer Bulsara,^[a][4] were from the Parsi community of western India. The Bulsaras had origins in the city of Bulsar (now Valsad) in Gujarat.^[b][2] He had a younger sister, Kashmira (b. 1952).^[5][6][7]

The family had moved to Zanzibar so that Bomi could continue his job as a cashier at the British Colonial Office. As Parsis, the Bulsaras practised Zoroastrianism.^[8] Mercury was born with four extra incisors, to which he attributed his enhanced vocal range.^[9][10] As Zanzibar was a British protectorate until 1963, Mercury was born a British subject, and on 2 June 1969 was registered a citizen of the United Kingdom and Colonies after the family had emigrated to England.^[11]

Mercury spent most of his childhood in India where he began taking piano lessons at the age of seven while living with relatives.^[12] In 1954, at the age of eight, Mercury was sent to study at St. Peter's School, a British-style boarding school for boys, in Panchgani near Bombay.^[13] Inheriting his father's interest in philately, between 9 and 12 years old Mercury collected stamps, many of which were from the British Commonwealth.^[14] One of the rare personal possessions of Mercury in museum ownership, his stamp album is displayed in the collection of the Postal Museum in London.^[14] At the age of 12, he formed a school band, the Hectics, and covered rock and roll artists such as Cliff Richard and Little Richard.^[15][16] One of Mercury's former bandmates from the Hectics has said "the only music he listened to, and played, was Western pop music".^[17] A friend recalls that he had "an uncanny ability to listen to the radio and replay what he heard on piano".^[18] It was also at St. Peter's where he began to call himself "Freddie". In February 1963, he moved back to Zanzibar where he joined his parents at their flat.^[19]

Fleeing to England

In the spring of 1964, Mercury and his family fled to England from Zanzibar to escape the violence of the revolution against the Sultan of Zanzibar and his mainly Arab government,^[20] in which thousands of ethnic Arabs and Indians were killed.^[21] They moved to 19 Hamilton Close, Feltham, Middlesex, a town 13 miles (21 km) west of central London. The Bulsaras briefly relocated to 122 Hamilton Road, before settling into a small house at 22 Gladstone Avenue in late October.^[22] After first studying art at Isleworth Polytechnic in West London, Mercury studied graphic art and design at Ealing Art College, graduating with a diploma in 1969.^[23] He later used these skills to design heraldic arms for his band Queen.^[24]

Following graduation, Mercury joined a series of bands and sold second-hand Edwardian clothes and scarves in Kensington Market in London with Roger Taylor. Taylor recalls, "Back then, I didn't really know him as a singer—he was just my mate. My crazy mate! If there was fun to be had, Freddie and I were usually involved."^[25] He also held a job as a baggage handler at Heathrow Airport.^[26] Other friends from the time remember him as a quiet and shy young man with a great interest in music.^[27] In 1969, he joined Liverpool-based band Ibex, later renamed Wreckage, which played "very Hendrix-style, heavy blues".^[28] He briefly lived in a flat above the Dovedale Towers, a pub on Penny Lane in Liverpool's Mossley Hill district.^[29][30] When this band failed to take off, he joined an Oxford-based band, Sour Milk Sea, but by early 1970 this group had broken up as well.^[31]

In April 1970, Mercury teamed up with guitarist Brian May and drummer Roger Taylor, to become lead singer of their band Smile.^[23] They were joined by bassist John Deacon in 1971. Despite the reservations of the other members and Trident Studios, the band's initial management, Mercury chose the name "Queen" for the new band. He later said, "It's very regal obviously, and it sounds splendid. It's a strong name, very universal and immediate. I was certainly aware of the gay connotations, but that was just one facet of it."^[32] At about the same time, he legally changed his surname, Bulsara, to Mercury.^[33]

Shortly before the release of Queen's self-titled first album, Mercury designed the band's logo, known as the "Queen crest".^[24] The logo combines the zodiac signs of the four band members: two lions for Deacon and Taylor (sign Leo), a crab for May (Cancer), and two fairies for Mercury (Virgo).^[24] The lions embrace a stylised letter Q, the crab rests atop the letter with flames rising directly above it, and the fairies are each sheltering below a lion.^[24] A crown is shown inside the Q, and the whole logo is over-shadowed by an enormous phoenix. The Queen crest bears a passing resemblance to the Royal coat of arms of the United Kingdom, particularly with the lion supporters.^[24]

Artistry

Vocals

Although Mercury's speaking voice naturally fell in the baritone range, he delivered most songs in the tenor range.^[34] His known vocal range extended from bass low F (F₂) to soprano high F (F₆).^[35] He could belt up to tenor high F (F₅).^[35] Biographer David Bret described his voice as "escalating within a few bars from a deep, throaty rock-growl to tender, vibrant tenor, then on to a high-pitched, perfect coloratura, pure and crystalline in the upper reaches".^[36] Spanish sopranoMontserrat Caballé, with whom Mercury recorded an album, expressed her opinion that "the difference between Freddie and almost all the other rock stars was that he was selling the voice".^[37] She adds:

His technique was astonishing. No problem of tempo, he sang with an incisive sense of rhythm, his vocal placement was very good and he was able to glide effortlessly from a register to another. He also had a great musicality. His phrasing was subtle, delicate and sweet or energetic and slamming. He was able to find the right colouring or expressive nuance for each word.^[35]

The Who lead singer Roger Daltrey described Mercury as "the best virtuoso rock 'n' roll singer of all time. He could sing anything in any style. He could change his style from line to line and, God, that's an art. And he was brilliant at it."^[38] Discussing what type of person he wanted to play the lead role in his musical Jesus Christ Superstar, Andrew Lloyd Webber said: "He has to be of enormous charisma, but he also has to be a genuine, genuine rock tenor. That's what it is. Really think Freddie Mercury, I mean that's the kind of range we're talking about."^[39]

A research team undertook a study in 2016 to understand the appeal behind Mercury's voice.^[40] Led by Professor Christian Herbst, the team identified his notably faster vibrato and use of subharmonics as unique characteristics of Mercury's voice, particularly in comparison to opera singers.^[41] The research team studied vocal samples from 23 commercially available Queen recordings, his solo work, and a series of interviews of the late artist. They also used an endoscopic video camera to study a rock singer brought in to imitate Mercury's singing voice.^[41][42]

Songwriting

Mercury wrote 10 of the 17 songs on Queen's Greatest Hits album: "Bohemian Rhapsody", "Seven Seas of Rhye", "Killer Queen", "Somebody to Love", "Good Old-Fashioned Lover Boy", "We Are the Champions", "Bicycle Race", "Don't Stop Me Now", "Crazy Little Thing Called Love", and "Play the Game".^[43] In 2003 Mercury was posthumously inducted into the Songwriters Hall of Fame with the rest of Queen, and in 2005 all four band members were awarded an Ivor Novello Award for Outstanding Song Collection from the British Academy of Songwriters, Composers, and Authors.^[44][45]

The most notable aspect of his songwriting involved the wide range of genres that he used, which included, among other styles, rockabilly, progressive rock, heavy metal, gospel, and disco. As he explained in a 1986 interview, "I hate doing the same thing again and again and again. I like to see what's happening now in music, film and theatre and incorporate all of those things."^[46] Compared to many popular songwriters, Mercury also tended to write musically complex material. For example, "Bohemian Rhapsody" is non-cyclical in structure and comprises dozens of chords.^[47][48] He also wrote six songs from Queen II which deal with multiple key changes and complex material. "Crazy Little Thing Called Love", on the other hand, contains only a few chords. Although Mercury often wrote very intricate harmonies, he said that he could barely read music.^[49] He composed most of his songs on the piano and used a wide variety of key signatures.^[47]

Live performer

Mercury was noted for his live performances, which were often delivered to stadium audiences around the world. He displayed a highly theatrical style that often evoked a great deal of participation from the crowd.^[50] A writer for The Spectator described him as "a performer out to tease, shock and ultimately charm his audience with various extravagant versions of himself."^[51]David Bowie, who performed at the Freddie Mercury Tribute Concert and recorded the song "Under Pressure" with Queen, praised Mercury's performance style, saying: "Of all the more theatrical rock performers, Freddie took it further than the rest ... he took it over the edge. And of course, I always admired a man who wears tights. I only saw him in concert once and as they say, he was definitely a man who could hold an audience in the palm of his hand."^[52] Queen guitarist Brian May wrote that Mercury could make "the last person at the back of the furthest stand in a stadium feel that he was connected".^[53] Mercury's main prop on stage was a broken microphone stand; after accidentally snapping it off the heavy base during an early performance, he realised it could be used in endless ways.^[54]

One of Mercury's most notable performances with Queen took place at Live Aid in 1985.^[23] Queen's performance at the event has since been voted by a group of music executives as the greatest live performance in the history of rock music. The results were aired on a television program called "The World's Greatest Gigs".^[55][56] Mercury's powerful, sustained note during the a cappella section came to be known as "The Note Heard Round the World".^[57][58] In reviewing Live Aid in 2005, one critic wrote, "Those who compile lists of Great Rock Frontmen and award the top spots to Mick Jagger, Robert Plant, etc. all are guilty of a terrible oversight. Freddie, as evidenced by his Dionysian Live Aid performance, was easily the most godlike of them all."^[59] Photographer Denis O'Regan, who captured a definitive pose of Mercury on stage—arched back, knee bent and facing toward the sky—during his final tour with Queen in 1986, commented "Freddie was a once-in-a-lifetime showman".^[60] Queen roadie Peter Hince states, "It wasn't just about his voice but the way he commanded the stage. For him it was all about interacting with the audience and knowing how to get them on his side. And he gave everything in every show."^[50]

Throughout his career, Mercury performed an estimated 700 concerts in countries around the world with Queen. A notable aspect of Queen concerts was the large scale involved.^[46] He once explained, "We're the Cecil B. DeMille of rock and roll, always wanting to do things bigger and better."^[46] The band was the first ever to play in South American stadiums, breaking worldwide records for concert attendance in the Morumbi Stadium in São Paulo in 1981.^[61] In 1986, Queen also played behind the Iron Curtain when they performed to a crowd of 80,000 in Budapest, in what was one of the biggest rock concerts ever held in Eastern Europe.^[62] Mercury's final live performance with Queen took place on 9 August 1986 at Knebworth Park in England and drew an attendance estimated as high as 200,000. A week prior to Knebworth, May recalled Mercury saying "I'm not going to be doing this forever. This is probably the last time." With the British national anthem "God Save the Queen" playing at the end of the concert, Mercury's final act on stage saw him draped in a robe, holding a golden crown aloft, bidding farewell to the crowd.^[64][65]

Instrumentalist

As a young boy in India, Mercury received formal piano training up to the age of nine. Later on, while living in London, he learned guitar. Much of the music he liked was guitar-oriented: his favourite artists at the time were the Who, the Beatles, Jimi Hendrix, David Bowie, and Led Zeppelin. He was often self-deprecating about his skills on both instruments. Brian May said that Mercury "had a wonderful touch on the piano. He could play what came from inside him like nobody else – incredible rhythm, incredible passion and feeling."^[66] Keyboardist Rick Wakeman praised Mercury's playing style, saying he "discovered [the piano] for himself" and successfully composed a number of Queen songs on the instrument.^[67] From the early 1980s Mercury began extensively using guest keyboardists. Most notably, he enlisted Fred Mandel (a Canadian musician who also worked for Pink Floyd, Elton John, and Supertramp) for his first solo project. From 1982 Mercury collaborated with Morgan Fisher (who performed with Queen in concert during the Hot Space leg),^[68] and from 1985 onward Mercury collaborated with Mike Moran (in the studio) and Spike Edney (in concert).^[69]

Mercury played the piano in many of Queen's most popular songs, including "Killer Queen", "Bohemian Rhapsody", "Good Old-Fashioned Lover Boy", "We Are the Champions", "Somebody to Love", and "Don't Stop Me Now". He used concert grand pianos (such as a Bechstein) and, occasionally, other keyboard instruments such as the harpsichord. From 1980 onward, he also made frequent use of synthesisers in the studio. Brian May said that Mercury used the piano less over time because he wanted to walk around on stage and entertain the audience.^[70][71] Although he wrote many lines for the guitar, Mercury possessed only rudimentary skills on the instrument. Songs like "Ogre Battle" and "Crazy Little Thing Called Love" were composed on the guitar; the latter featured Mercury playing rhythm guitar on stage and in the studio.^[72]

Solo career

As well as his work with Queen, Mercury put out two solo albums and several singles. Although his solo work was not as commercially successful as most Queen albums, the two off-Queen albums and several of the singles debuted in the top 10 of the UK Music Charts. His first solo effort goes back to 1972 under the pseudonym Larry Lurex, when Trident Studios' house engineer Robin Geoffrey Cable was working in a musical project, at the time when Queen were recording their debut album; Cable enlisted Mercury to perform lead vocals on the songs "I Can Hear Music" and "Goin' Back", both were released together as a single in 1973.^[1] Eleven years later, Mercury contributed to the soundtrack for the restoration of the 1927 Fritz Lang film Metropolis. The song "Love Kills" was written for the film by Giorgio Moroder in collaboration with Mercury, and produced by Moroder and Mack; in 1984 it debuted at the number 10 position in the UK Singles Chart.^[73]

Mercury's two full albums outside the band were Mr. Bad Guy (1985) and Barcelona (1988).^[23] His first album, Mr. Bad Guy, debuted in the top ten of the UK Album Charts.^[73] In 1993, a remix of "Living on My Own", a single from the album, posthumously reached number one on the UK Singles Charts. The song also garnered Mercury a posthumous Ivor Novello Award from the British Academy of Songwriters, Composers and Authors.^[75] AllMusic critic Eduardo Rivadavia describes Mr. Bad Guy as "outstanding from start to finish" and expressed his view that Mercury "did a commendable job of stretching into uncharted territory".^[76]

His second album, Barcelona, recorded with Spanish soprano vocalist Montserrat Caballé, combines elements of popular music and opera. Many critics were uncertain what to make of the album; one referred to it as "the most bizarre CD of the year".^[77] The album was a commercial success,^[78] and the album's title track debuted at No. 8 in the UK and was also a hit in Spain.^[79] The title track received massive airplay as the official anthem of the 1992 Summer Olympics (held in Barcelona one year after Mercury's death). Caballé sang it live at the opening of the Olympics with Mercury's part played on a screen, and again before the start of the 1999 UEFA Champions League Final between Manchester United and Bayern Munich in Barcelona.^[80]

In addition to the two solo albums, Mercury released several singles, including his own version of the hit "The Great Pretender" by the Platters, which debuted at No. 5 in the UK in 1987.^[73] In September 2006 a compilation album featuring Mercury's solo work was released in the UK in honour of what would have been his 60th birthday. The album debuted in the UK top 10.^[81] In 2012, Freddie Mercury: The Great Pretender, a documentary film directed by Rhys Thomas on Mercury's attempts to forge a solo career, premiered on BBC One.^[82]

In 1986, Mercury recorded two songs for Dave Clark's West End sci-fi musical Time. Mercury performed the title song and Clark played it to Laurence Olivier who starred as the hologram Akash in a pre-filmed segment for the musical in what was one of his last roles, with Clark recalling: "Laurence Olivier was a huge god of an actor. He narrated the album [Time], and, when Freddie came on, singing "Time", Olivier said, 'Now, my dear boy, there's an actor.'" Clark relayed the reaction of Olivier to Mercury: "I told Freddie and he was over the moon. I arranged for a dinner party at my place, Olivier came along and they got on like a house on fire."^[83]

Between 1981 and 1983 Mercury recorded several tracks with Michael Jackson, including a demo of "State of Shock", "Victory", and "There Must Be More to Life Than This".^[84][85] None of these collaborations were officially released at the time, although bootleg recordings exist. Jackson went on to record the single "State of Shock" with Mick Jagger for the Jacksons' album Victory.^[86] Mercury included the solo version of "There Must Be More to Life Than This" on his Mr. Bad Guy album.^[87] "There Must Be More to Life Than This" was eventually reworked by Queen and released on their compilation album Queen Forever in 2014.^[88] Mercury and Roger Taylor sang on the title track for Billy Squier's 1982 studio release, Emotions in Motion and later contributed to two tracks on Squier's 1986 release, Enough Is Enough, providing vocals on "Love is the Hero" and musical arrangements on "Lady With a Tenor Sax".^[89] In 2020, Mercury's music video for "Love Me Like There's No Tomorrow" was nominated for Best Animation at the Berlin Music Video Awards. Woodlock studio is behind the animation.^[90]

Personal life

Relationships

In the early 1970s, Mercury had a long-term relationship with Mary Austin, whom he met through guitarist Brian May. Austin, born in Fulham, London, met Mercury in 1969 when she was 19 and he was 23 years old, a year before Queen had formed.^[91] He lived with Austin for several years in West Kensington, London. By the mid-1970s, he had begun an affair with David Minns, an American record executive at Elektra Records. In December 1976, Mercury told Austin of his sexuality, which ended their romantic relationship.^[69] Mercury moved out of the flat they shared, and bought Austin a place of her own near his new address of 12 Stafford Terrace, Kensington.^[92]

Mercury and Austin remained friends through the years; Mercury often referred to her as his only true friend. In a 1985 interview, he said of Austin: "All my lovers asked me why they couldn't replace Mary, but it's simply impossible. The only friend I've got is Mary, and I don't want anybody else. To me, she was my common-law wife. To me, it was a marriage. We believe in each other, that's enough for me."^[93] Mercury's final home, Garden Lodge, an 8-bedroom Georgian mansion in Kensington set in a quarter-acre manicured garden surrounded by a high brick wall, was picked out by Austin.^[94] Austin married the painting artist Piers Cameron; they have two children. Mercury was the godfather of her older son, Richard.^[70] In his will, Mercury left his London home to Austin, having told her, "You would have been my wife, and it would have been yours anyway."^[95]

From 1979 to 1985, while living in Munich, Mercury was friends with Austrian actress Barbara Valentin, who is featured in the video for "It's a Hard Life", and initially lived together with her and her daughter before moving into his own apartment.^[96][97] In Munich, Mercury was able to escape the media spotlight, lived out his sexuality, drifted in the local gay scene, and had an intense love relationship with German restaurateur Winfried "Winnie" Kirchberger.^[96][98][99] Mercury also lived temporarily at Kirchberger's apartment^[100] and thanked him "for board and lodging" in the liner notes of his 1985 album Mr. Bad Guy.^[101] He wore a silver wedding band given to him by Kirchberger.^[102] A close friend described him as Mercury's "great love" in Germany.^[103]

By 1985, he began another long-term relationship, with Irish-born hairdresser Jim Hutton (1949–2010) whom he referred to as his husband.^[104] Mercury described their relationship as one built on solace and understanding, and said that he "honestly couldn't ask for better".^[105] Hutton, who tested HIV-positive in 1990, lived with Mercury for the last seven years of his life, nursed him during his illness, and was present at his bedside when he died. Mercury wore a gold wedding band, given to him by Hutton in 1986, until the end of his life. He was cremated with it on.^[102] Hutton later relocated from London to the bungalow he and Mercury had built for themselves in Ireland.^[102]

Friendship with Kenny Everett

Radio disc jockey Kenny Everett met Mercury in 1974, when he invited the singer onto his Capital Londonbreakfast show.^[106] As two of Britain's most flamboyant, outrageous and popular entertainers, they shared much in common and became close friends.^[106] In 1975, Mercury visited Everett, bringing with him an advance copy of the single "Bohemian Rhapsody".^[94] Despite doubting that any station would play the six-minute track, Everett placed the song on the turntable, and, after hearing it, exclaimed: "Forget it, it's going to be number one for centuries".^[94] Although Capital Radio had not officially accepted the song, Everett talked incessantly about a record he possessed but could not play. He then frequently proceeded to play the track with the excuse: "Oops, my finger must've slipped."^[94] On one occasion, Everett aired the song fourteen times over a single weekend.^[107] Capital's switchboard was overwhelmed with callers inquiring when the song would be released.^[106][108]

During the 1970s, Everett became advisor and mentor to Mercury and Mercury served as Everett's confidant.^[106] Throughout the early-to-mid-1980s, they continued to explore their homosexuality and use drugs. Although they were never lovers, they did experience London nightlife together.^[106] By 1985, they had fallen out, and their friendship was further strained when Everett was outed in the autobiography of his ex-wife Lee Everett Alkin.^[106] In 1989, with their health failing, Mercury and Everett were reconciled.^[106]

Other friendships

Mercury saw the stage version of the London musical The Rocky Horror Show at the Royal Court Theatre in Chelsea, and in 1975 went to see the film version, both of which starred Tim Curry. Curry and Mercury became friends, and as a keen horticulturalist Curry later told the UK edition of House And Garden magazine about designing Mercury's garden: "Freddie came back from a tour and said, 'The garden, dear, it's dead.' I said, 'What? Did you water it?' And Freddie said, 'Water it, dear?'"^[109] Both Mercury and Curry were also close friends with Peter Straker; Straker, who first met Mercury at a London restaurant in November 1975, was a frequent diner at Mercury's home in Garden Lodge.^[110]

Mercury was a long-time friend of Elton John. Shortly before his own death in November 1991, Mercury ordered that a watercolour by John's favourite artist, the 19th-century English impressionist painter Henry Scott Tuke, be given to John on Christmas Day. In a 2021 interview, John recalled: "Here was this beautiful man, dying from AIDS, and in his final days, he had somehow managed to find me a lovely Christmas present".^[111]

Sexual orientation

While some commentators said Mercury hid his sexual orientation from the public,^{[20][37][112]} others said he was "openly gay".^[113][114] In December 1974, when asked directly, "So how about being bent?" by the New Musical Express, Mercury replied, "You're a crafty cow. Let's put it this way: there were times when I was young and green. It's a thing schoolboys go through. I've had my share of schoolboy pranks. I'm not going to elaborate further."^[115] Homosexual acts between adult males over the age of 21 had been decriminalised in the United Kingdom in 1967, seven years earlier. During public events in the 1980s, Mercury often kept a distance from his partner, Jim Hutton.^[116]

Mercury's flamboyant stage performances sometimes led journalists to allude to his sexuality. Dave Dickson, reviewing Queen's performance at Wembley Arena in 1984 for Kerrang!, noted Mercury's "camp" addresses to the audience and even described him as a "posing, pouting, posturing tart".^[117] In 1992, John Marshall of Gay Times opined: "[Mercury] was a 'scene-queen,' not afraid to publicly express his gayness, but unwilling to analyse or justify his 'lifestyle' ... It was as if Freddie Mercury was saying to the world, 'I am what I am. So what?' And that in itself for some was a statement."^[118] In an article for AfterElton, Robert Urban said: "Mercury did not ally himself to 'political outness,' or to LGBTQ causes."^[118]

Some believe Mercury was bisexual; for example, regarding the creation of Celebrate Bisexuality Day, Wendy Curry said: "We were sitting around at one of the annual bi conventions, venting and someone – I think it was Gigi – said we should have a party. We all loved the great bisexual, Freddie Mercury. His birthday was in September, so why not Sept? We wanted a weekend day to ensure the most people would do something. Gigi's birthday was September 23rd. It fell on a weekend day, so, poof! We had a day."^[119][120]The Advocate said in May 2018, "Closeted throughout his life, Mercury, who was bisexual, engaged in affairs with men but referred to a woman he loved in his youth, Mary Austin, as 'the love of his life,' according to the biography Somebody to Love: The Life, Death, and Legacy of Freddie Mercury."^[121] Additionally, according to an obituary Mercury was a "self-confessed bisexual".^[122][123]

The 2018 biopic of Mercury, Bohemian Rhapsody, received criticism for its portrayal of Mercury's sexuality, which was described as "sterilized" and "confused", and was even accused of being "dangerous".^{[124][125][126]}

Personality

Although he cultivated a flamboyant stage personality, Mercury was shy and retiring when not performing, particularly around people he did not know well,^[18][37] and granted very few interviews. He once said of himself: "When I'm performing I'm an extrovert, yet inside I'm a completely different man."^[127] On this contrast to "his larger-than-life stage persona", BBC music broadcaster Bob Harris adds he was "lovely, bright, sensitive, and quite vulnerable."^[128] While on stage, Mercury basked in the love from his audience. Nirvana frontman Kurt Cobain's suicide note mentions how he admired and envied the way Mercury "seemed to love, relish in the love and adoration from the crowd".^[129][130]

Mercury never discussed his ethnic or religious background with journalists. The closest he came to doing so was in response to a question about his outlandish persona, he said, "that's something inbred, it's a part of me. I will always walk around like a Persian popinjay",^[131] an oblique reference to his Indian Parsi background. Feeling a connection to Britain prior to arriving in England, the young Bulsara was heavily influenced by British fashion and music trends while growing up.^[131] According to his longtime assistant Peter Freestone, "if Freddie had his way, he would have been born aged 18 in Feltham."^[131] Harris states, "One of the things about Freddie was that he was very civilised and quite 'English'. I'd go over to his flat near Shepherd's Bush in the afternoon, and he'd get out the fine china and the sugar lumps and we'd have a cup of tea."^[128] His flamboyant dress sense and the emergence of glam rock in the UK in the early 1970s saw Mercury wear outfits designed by Zandra Rhodes.^[132]

When asked by Melody Maker in 1981 if rock stars should use their power to try to shape the world for the better, Mercury responded, "Leave that to the politicians. Certain people can do that kind of thing, but very few. John Lennon was one. Because of his status, he could do that kind of preaching and affect people's thoughts. But to do this you have to have a certain amount of intellect and magic together, and the John Lennons are few and far between. People with mere talent, like me, have not got the ability or power."^[133] Mercury dedicated a song to the former member of the Beatles. The song, "Life Is Real (Song for Lennon)", is included in the 1982 album Hot Space.^[134] Mercury did occasionally express his concerns about the state of the world in his lyrics. His most notable "message" songs are "Under Pressure", "Is This the World We Created...?" (a song which Mercury and May performed at Live Aid, and also featured in Greenpeace – The Album), "There Must Be More to Life Than This", "The Miracle" (a song May called "one of Freddie's most beautiful creations") and "Innuendo".^[135][136]

Mercury cared for at least ten cats throughout his life, including: Tom, Jerry, Oscar, Tiffany, Dorothy, Delilah, Goliath, Miko, Romeo, and Lily. He was against the inbreeding of cats for specific features and all except for Tiffany and Lily, both given as gifts, were adopted from the Blue Cross. Mercury "placed as much importance on these beloved animals as on any human life", and showed his adoration by having the artist Ann Ortman paint portraits of each of them. Mercury wrote a song for Delilah, "his favourite cat of all", which appeared on the Queen album Innuendo.^[137] Mercury dedicated his liner notes in his 1985 solo album Mr. Bad Guy to Jerry and his other cats. It reads, "This album is dedicated to my cat Jerry—also Tom, Oscar, and Tiffany and all the cat lovers across the universe—screw everybody else!"^[138]

In 1987, Mercury celebrated his 41st birthday at the Pikes Hotel, Ibiza, Spain, several months after discovering that he had contracted HIV.^[94] Mercury sought much comfort at the retreat and was a close friend of the owner, Anthony Pike, who described Mercury as "the most beautiful person I've ever met in my life. So entertaining and generous."^[139] According to biographer Lesley-Ann Jones, Mercury "felt very much at home there. He played some tennis, lounged by the pool, and ventured out to the odd gay club or bar at night."^[110] The birthday party, held on 5 September 1987, has been described as "the most incredible example of excess the Mediterranean island had ever seen", and was attended by some 700 people.^[140] A cake in the shape of Antoni Gaudi's Sagrada Família was provided for the party. The original cake collapsed and was replaced with a two-metre-long sponge cake decorated with the notes from Mercury's song "Barcelona".^[139] The bill, which included 232 broken glasses, was presented to Queen's manager, Jim Beach.^[141] Before his death, Mercury had told Beach, "You can do what you want with my music, but don't make me boring."^[142]

Illness and death

Mercury exhibited HIV/AIDS symptoms as early as 1982. Authors Matt Richards and Mark Langthorne have stated in their biographical book about Mercury, Somebody to Love: The Life, Death, and Legacy of Freddie Mercury, that Mercury secretly visited a doctor in New York City to get a white lesion on his tongue checked (which might have been hairy leukoplakia, one of the first signs of an infection) a few weeks before Queen's final American appearance with Mercury on Saturday Night Live on 25 September 1982, where he began to exhibit the symptoms of someone recently infected with HIV.^[143]

In October 1986, two months after Mercury's final live performance with Queen at Knebworth House on the Magic Tour, the British newspapers the News of the World and The Sun reported that Mercury had his blood tested for HIV/AIDS at a Harley Street clinic, but he was quoted as saying he was "perfectly fit and healthy".^[145] According to his partner, Jim Hutton, Mercury was diagnosed with AIDS in late April 1987.^[146] Around that time, Mercury said in an interview that he had tested negative for HIV.^[37]

The British press pursued rumours about Mercury's health over the next few years, fuelled by his increasingly gaunt appearance, Queen's absence from touring, and reports from his former lovers to tabloid journalists. By 1990, rumours about Mercury's health were rife.^[147] At the 1990 Brit Awards held at the Dominion Theatre, London, on 18 February, Mercury made his final appearance on stage, when he joined the rest of Queen to collect the Brit Award for Outstanding Contribution to British Music.^[148][149]

Mercury and his inner circle of colleagues and friends continually denied the stories. It has been suggested that Mercury could have helped AIDS awareness by speaking earlier about his illness.^[52][150] Mercury kept his condition private to protect those closest to him; May later confirmed that Mercury had informed the band of his illness much earlier.^[151][152] Filmed in May 1991, the music video for "These Are the Days of Our Lives" features a very thin Mercury in his final scenes in front of the camera.^[153] Director of the video Primitiv Dolezal comments, "AIDS was never a topic. We never discussed it. He didn't want to talk about it. Most of the people didn't even 100 percent know if he had it, apart from the band and a few people in the inner circle. He always said, 'I don't want to put any burden on other people by telling them my tragedy.'"^[154] The rest of the band were ready to record when Mercury felt able to come into the studio, for an hour or two at a time. May said of Mercury: "He just kept saying. 'Write me more. Write me stuff. I want to just sing this and do it and when I am gone you can finish it off.' He had no fear, really."^[144] Justin Shirley-Smith, the assistant engineer for those last sessions, said: "This is hard to explain to people, but it wasn't sad, it was very happy. He [Freddie] was one of the funniest people I ever encountered. I was laughing most of the time, with him. Freddie was saying [of his illness] 'I'm not going to think about it, I'm going to do this.'"^[144]

After the conclusion of his work with Queen in June 1991, Mercury retired to his home in Kensington, West London. His former partner, Mary Austin, was a particular comfort in his final years, and in the last few weeks made regular visits to look after him.^[155] Near the end of his life, Mercury began to lose his sight, and declined so that he was unable to leave his bed.^[155] Mercury chose to hasten his death by refusing medication and took only painkillers.^[155] On 22 November 1991, Mercury called Queen's manager Jim Beach to his Kensington home to prepare a public statement, which was released the following day:^[151]